Treefort Music Fest 2025: 3/26-3/30
Remi Wolf
SOFI TUKKER

w/ Shakey Graves, Bright Eyes, Built To Spill
Treefort Music Hall
Wednesday, March 26th, 2025
6:00PM
$ adv / $ DOS
All Ages
The thirteenth annual Treefort Music Fest is upon us!
Explore hundreds of bands, film screenings, storytellings, loads of laughs, technology hacks, local food and beer, community collaborations on many fronts ++ a ton of unforgettable moments over five days across multiple venues in downtown Boise.
 
Remi Wolf

Remi Wolf

🏠 Palo Alto, CA Remi Wolf has remained steadfast in her position as pop’s most rule-shattering risk-taker. Since releasing her critically acclaimed 2021 full-length debut, Juno, the world has found it hard to look away from the irreverent, bold, and colorful star. She’s racked up over two billion global streams, had top billing at festivals like Coachella, Lollapalooza, and Outside Lands, and opened for artists such as Olivia Rodrigo, Lorde, and Paramore. Along the way, she’s collaborated with the likes of Nile Rodgers, Beck, Sylvan Esso, Dominic Fike, and more. This year, Remi is back with her latest album, Big Ideas, which was released on July 12th via Island Records. The album has garnered critical acclaim from Billboard, Rolling Stone, The New York Times, Vogue, Pitchfork, and many more. Big Ideas is an emotionally complex, funky project that reflects on her transient life on the road over the last few years. The album continues to push the boundaries of genre, seeing her challenge herself musically and lyrically with a mix of old and new collaborators, such as Jared Solomon, Ethan Gruska, Leon Michels, and the Dap-Kings, Carter Lang, among several others. In support of the new album, Remi made her debut performance on The Late Show with Stephen Colbert with a live rendition of “Cinderella” and performed the album’s focus track “Soup” on Jimmy Kimmel Live!, and visited NPR’s Tiny Desk for an intimate performance highlighting the new album. She has set off on her Big Ideas Tour, with stops including three sold-out nights at NYC’s Kings Theatre and a sold-out night at The Greek Theatre in LA.
 
SOFI TUKKER

SOFI TUKKER

🏠 New York, NY SOFI TUKKER, the GRAMMY-nominated duo comprised of Sophie Hawley-Weld and Tucker Halpern, are about to unleash their third album BREAD, their most daring, innovative and infectious body of work to date. Two years in the making, it is a sonic pleasuredome of dance-laden bangers. It is a lighthearted yet profound invitation to drop your fears and devour life to the fullest, a big gulp of optimism and a remedy against the pervasive scarcity mindset. The music blends house, Brazilian funk, drum and bass, bossa nova, pop, Portuguese poetry, and, most crucially—fun. “BREAD is pure energy,” Sophie says of the band’s most infectious project to date. “Literally, carbs. That’s exactly what we want our music to do. When you put on the album, we want it to give you energy. Tucker adds, “We didn’t know when we wrote the song ‘Bread’ that it was going to feel like a thesis statement for the album, and we didn’t know that was going to be the name of the album initially, but as we were discussing, it became clearer and clearer that what we wanted to say to the world is: the world can be dark but it’s also a really fun place. We wanted to use a very normal, everyday word to mean a lot more.” BREAD, in addition to being a symbol of abundance, energy, sensuality and community, is an acronym for “Be Really Energetic And Dance.” “BREAD is also something that people all around the world use to connect and gather around” Sophie adds. It’s clear that Sophie and Tucker embodied this sensibility of togetherness while making the album. Featuring guest spots from artists such as Channel Tres, MC Bola, and Kah-Lo, and collaborating with producers Richard Beynon and Marcio Arantes, the band recorded this album all around the world, but especially in Brazil, which has always been a big influence in SOFI TUKKER’s world. “I feel a sense of pride for the country because of how much of a role it plays in our music. Brazil is like a member of the band,” says Tucker. Sophie is fluent in Portuguese but their extended time there during the making of the album deepened their relationship with the place and its poetry even further. Their long-time friend and collaborator, Brazilian poet Chacal, makes an even bigger creative stamp on this album, having written poems specifically for the band and the themes they wanted to discuss on BREAD, like for the song “Cafuné”, Sophie’s favorite Portuguese word which has no direct translation into English. The visuals for the project reflect the sensual overtones of the music. The decadent album cover was shot by visual artist and fine art photographer Rob Woodcox, who captures Sophie wearing a custom gown (by Chris Habana) made entirely out of bread in front of the ornate Palácio das Laranjeiras in Rio de Janeiro, surrounded by joyful Brazilian dancers in graceful, elaborate poses, as if to say: welcome to the BREAD world: beautiful, ridiculous, and sure to make you dance. After the release of their debut album Treehouse (2018) and sophomore album WET TENNIS (2022), SOFI TUKKER, now independent from a record label, have been dropping collabs and singles in anticipation of BREAD. In the first half of 2023, they released collaborations with Kx5 (Kaskade & Deadmau5) and contributed two tracks to their friend LP Giobbi’s debut album. The duo also reunited with The Knocks (“One On One”), and released “Várias Queixas (SOFI TUKKER Version)” feat. Gilsons, and a viral collaboration with Brazilian artists Mari Merenda and Sophia Ardessore (“Veneno”). They were also behind remixes of GRAMMY-winning Jon Batiste’s “Worship” from the acclaimed album World Music Radio, and Wuki’s “Sunshine (My Girl).” SOFI TUKKER made an indelible mark on the 2023 festival scene, with coveted slots and unforgettable performances at Coachella, Governors Ball, Lollapalooza and Bonnaroo, among others. Their 2024 fall North American headline tour will be their biggest to date by far, while arena tours supporting J Balvin in Australia and Kygo in Europe will round out their year. Their “explosive” (Rolling Stone) live show is a one-of-a-kind combination of dance-music with live instruments, finding them playing on instruments and playground equipment, and performing choreography with the infectious Bob’s Dance Shop. With an almost cult-like following (“The Freak Fam”, as they call themselves) the live show is an “electrifying” (Entertainment Weekly) gathering place for freaks worldwide, creating a joyous, friendly and inviting environment. DJing is also a shared love for Sophie and Tucker, who are in their fourth consecutive year of their DJ Residency in Las Vegas, and several summer plays in Ibiza. Originally meeting as students at Brown University, Tucker and Sophie didn’t cross paths until their senior year. Sophie had just returned from living abroad in Rio and was performing her original bossa-nova inspired songs in a jazz trio. Tucker, who had taken up DJing after being forced out of D1 basketball due to illness, convinced Sophie to take a leap of faith and move to New York with him to form a band instead of moving back to Rio after graduation. Less than a year later, SOFI TUKKER dropped their debut single “Drinkee” which became Grammy-nominated, followed by their debut album Treehouse (also Grammy-nominated). Adding to their impact on popular culture, SOFI TUKKER has soundtracked hundreds of syncs in movies, TV, and commercials, including advertising campaigns for Apple (“Best Friend”), Peloton (“Purple Hat”) and Smartwater (“Wet Tennis”). SOFI TUKKER wear many hats and have a shared passion for fashion. The duo were the faces of G-Star Raw’s colorful denim campaign on billboards worldwide, they donned two unique custom-made looks by Dolce & Gabbana for their 2023 Coachella sets, and they were captured hanging out and DJing at pal Heidi Klum’s famous Halloween Bash. For their last album, they launched their own fashion label, WET TENNIS, whose signature ombre designs were presented at New York Fashion Week. Much of their endeavors are directly linked to physical wellness and mental health, from the spirit of their shows and the lyrics in their music, to their philanthropic work. They take extraordinary care of themselves while they’re on the road. “We tour like athletes and we know we can only really spread positivity when we’re feeling whole and positive ourselves,” says Sophie. They are advocates for therapy, meditation, and community; and Sophie, while being professionally the life of the party, is sober. That may seem at odds with being co-owners of a cachaça brand (Novo Fogo), but that contradiction is part of what has always made the band special. The Novo Fogo team is equally passionate about flavor and taste as they are about trees and biodiversity. SOFI TUKKER have spent time at Novo Fogo’s distillery in the Brazilian Atlantic Rainforest, planting endangered species of trees in their natural habitats as part of the Un-Endangered Forest project. The duo have also worked with multiple charitable organizations, including Planned Parenthood, The Trevor Project, National Alliance on Mental Illness, Natural Resources Defense Council, The Nature Conservancy, the March for Our Lives and the Red Cross, among others. SOFI TUKKER are on the board of FEMME HOUSE, a nonprofit which is dedicated to counteracting gender disparities in dance music. While SOFI TUKKER are creating new worlds, they’re also actively participating in this one. The yin and yang is found in everything SOFI TUKKER; The organic and the electronic. The party and the purpose. The built-world and the natural world. The playfulness and the sophistication. The Sophie and the Tucker.
 
Shakey Graves

Shakey Graves

🏠 Austin, TX Across his career, Shakey Graves — a.k.a. the performance moniker of Austin, Texas-born Alejandro Rose-Garcia — has intentionally created thrilling musical adventures tailored to each fan: burning CDs and putting them in personalized decorated bags; building intricate scavenger hunts that send fans in search of unique tapes; and Bandcamp-exclusive releases. “The fans and musicians that really resonate with me — and the inexplicable ways that I find things that I like — are usually entirely through randomness and chaos and accident,” Rose-Garcia says. “I’ve always been on this quest to make people feel like my own music is a choose your own adventure.” As Rose-Garcia releases his new Shakey Graves album Movie of the Week — a collection of songs whittled down from epic-length recording sessions — he has devised one of his most innovative musical adventures yet. “For the album release, I’m setting up a website,” he says. “On this website, there will be a way to shuffle a collection of alternate tracks and unique songs from the sessions in seemingly infinite combinations to create new albums.” Thanks to this cutting-edge technology, fans will be able to own this alternate version and do whatever they want with it — giving them control over the destiny of the music. “Imagination really is the tool,” Rose-Garcia says. “The point is to make and create something yourself. Any way that I can allow people to apply their imagination over my music — and allow them to sculpt it using their own prompts — will let them create something new.”
Bright Eyes

Bright Eyes

🏠 Omaha, NE Five Dice, All Threes is a record of uncommon intensity and tenderness, communal exorcism and personal excavation. These are, of course, qualities that fans have come to expect from Bright Eyes, nearly three decades into their career. The tight-knit band of Conor Oberst, Mike Mogis, and Nate Walcott tends to operate in distinct sweeping movements: each unique in its sound and story but unified by a sense of ambition and ever-growing emotional stakes. Even with this rich history behind them, these new songs exude a visceral thrill like nothing they have attempted before. Oberst has always sung in a voice that conveys a sense of life-or-death gravity. At times throughout Five Dice, All Threes, you may feel worried for him; other times, he may seem like the only one with the clarity to get us out of this mess. On the self-produced Five Dice, All Threes, Bright Eyes embrace the elusive quality that has made them so enduring and influential across generations and genres, bringing their homespun sound from an Omaha bedroom to devoted audiences around the world. In Oberst’s songwriting lies a promise that our loneliest thoughts and feelings can take on grander shapes when passed between friends, blasted through speakers, or shouted among crowds. This time around, the band invites such like-minded voices onto the record with them, with notable guest appearances from Cat Power (“All Threes”), The National’s Matt Berninger (“The Time I Have Left”), and Alex Orange Drink, the frontman of the New York punk band The So So Glos, who co-wrote several songs and shares a climactic verse in the surging “Rainbow Overpass.” Despite this range of collaborators, Five Dice, All Threes is as confessional and unguarded as Oberst has sounded in years. Throughout these timelessly constructed yet unabashedly modern songs, he earns his place among a rare class of songwriters who have grown more fearless and boundless with age. In the scenic “Bas Jan Ader”—which takes its title from the 20th century Dutch performance artist whose final act found him sailing into the Atlantic Ocean, never to return—his writing traces the course of a bad memory smoothing out to invite the onset of nostalgia. “I never thought I’d see 45,” he sings to a lapping, chiming melody. “How is it that I’m still alive?” For an artist who has explored unflinching questions of mortality since his teen years, the writing on Five Dive, All Threes conveys a new sense of urgency—and empathy, too. “For whatever reason, I was born with a brain that’s preoccupied with that kind of thing,” Oberst says of his lifelong penchant for dark subject matter. “When I was young, there was a performative aspect to it, which got reflected back at me. Now I’m at a point where I don’t care what the reaction is going to be. Before it was a little out of my hands—I didn’t know how to write if it wasn’t specific to my actual life. Now I do it by choice.” Throughout these reflections on the American landscape, Oberst shuttles us from Los Angeles to New York: two cities he has called home and the locations for his recent series of rapturously received, career-spanning solo residencies. Along the course of his journey, he takes shots at tech billionaires and the rise of artificial intelligence; he offers heartfelt wisdom and slips into clipped, surrealist imagery that earns its place among namechecked literary heroes like Vladimir Nabokov and Mark Twain. For every striking turn in his lyrics, the band knows just how to complement him. On one level, Five Dice, All Threes may be the most fun album in the Bright Eyes catalog, filled with singalong hooks and buzzing performances. “I think it revisits the spirit of our older records,” Walcott says. “There is a real quality of chaos and ecstatic urgency in the performances.” And yet, sitting alongside these adrenalized rockers that sound beamed in directly from the garage, you will find contemplative, psychedelic material like the heartbreaking “Tiny Suicides” and “All Threes,” a song whose jazzy piano solo and free-associative lyrics feel totally unprecedented in the Bright Eyes catalog. This vivid, cathartic music arrives four years after the band’s 2020 comeback album Down in the Weeds, Where the World Once Was. That record’s zoomed-out lyrics and meticulous studio atmosphere resonated during the peak of COVID lockdown and led to Bright Eyes’ long-awaited return to the road in summer 2021. By this point, they were also deep into their Companions project, in which the band reissued their back catalog via new label Dead Oceans along with newly recorded reinterpretations of material throughout their songbook. In the aftermath of these exhaustive endeavors, the band felt grateful to be back together and somewhat uncertain about their future. It wasn’t until Oberst invited Alex Orange Drink to stay with him in Los Angeles in winter 2023 when a group of new songs started forming. At first, these back-and-forth sessions on Oberst’s porch were just for fun. Recalling his early days of collaboration and scrappy home-recording, the pair sought to keep each other entertained and inspired, with little thought as to where the material would take them. But after completing gems like the anthemic, self-lacerating “Bells & Whistles” and the punky duet of “Rainbow Overpass,” it became clear that Oberst was tapping into new territory. When they hit the studio with Oberst’s longtime bandmates—the multi-instrumentalist and producer Mike Mogis, the keyboardist and arranger Nate Walcott—they opted for a fast-paced approach that drew inspiration from formative influences like The Replacements and Frank Black. They sought textures that burst from the mix like gnarly splashes of paint on a blank canvas; they opted for first takes and spontaneous decisions. Referring to 2005’s starkly produced landmark, I’m Wide Awake, It’s Morning, Mogis laughs, “It took us 20 years to make another record that sounds like a band playing live.” But where those songs exposed the raw beauty of the group’s folksier side, Five Dice, All Threes thrashes and squirms and resists classification. In the brilliant expanse of “El Capitan,” they blend a galloping rhythm you might find in a Johnny Cash standard with a swell of funereal horns, shouted vocals, and lyrics that read like a sobering farewell between twin souls. “So they’re burning you an effigy,” Oberst sings. “Well, that happens to me all the time!” As per usual, the music comes loaded with subtext that invites deep listening—the signature touch of a band who has always honored the album as its own exalted work of art. In the background of these songs, you can piece together a story about love and fate and identity, stitched together from samples of the 1954 Frank Sinatra film Suddenly, a layered orchestra of people sobbing, and a game of dice that borders on cosmic and lends the album its framing device and winking title: In the game of threes, the titular move would indicate a perfect roll. Perfection, however, means something different in the world of Bright Eyes, where our flaws are what grants us authority and finding meaning is only possible if we bear witness to the dark, winding journey to get there. On Five Dice, All Threes, Bright Eyes embrace these beliefs with music that feels thrillingly alive, as if we were all in the room with them, shouting along and gaining the strength to move forward together. It doesn’t just sound like classic Bright Eyes. It sounds like their future, too.
PROMO PIC 2024 Cassie Vela

Built To Spill

Built to Spill is an indie rock band from Boise, ID, formed in 1992 by guitarist/vocalist Doug Martsch.

In 2024 they celebrate 30 years of “There’s’ Nothing Wrong with Love, their second full-length album, performing it in its entirely. For this celebration tour the band also brings the recording’s original cello player, John McMahon. Known as well for their rotating line up, Built to Spill currently counts with Melanie Radford on bass and Teresa Esguerra on drums.